untitled

the
light
above
the
kitchen
sink
is
going
out.
you
can
flick
the
switch
on
and
hear
the
hum
but
no
blue-
green
neon.
well,
not
immediately
anyway.
one
can
forget
sometimes
that
they
turned
it
on.
time
passes
a
flicker
of
surprise
never
disappoints.
so
i
had
just
flicked
it
on
and
went
about
other
tasks
and
was
thinking
i
could use
some
more
light
and
it
came
on.
funny
how
that
happens.

10/19/08

It
was
the
kind
of
day
whose
warmness
embraced
you
and
never
let
up.

Happy Anniversary Mike and Linda!

I think you'll enjoy this:

http://www.sfgate.com/cityexposed/

My
friend
David http://daviddixondesign.com/home.html
sent
me
the
link
earlier
and
I
wanted
to
pass
it
along.

Mathew
and
I had
visited
San Francisco.
One of
our first
trips
together.
And
we
had
our
picture
taken
with
The
Brown
Twins.
We
ran
into
them
in
China
Town.
I
so
wanted
to
find
the
photo.
And
in
searching
for
it
stumbled
about other
memories.
When
I
finally
realized
where it
was;
It
struck
me
how
good
it
feels
to
be
in
the
right
place.
There
they are,
The
Brown
Twins.
Eyebrows
painted
on.
Dressed
as
if
they
were
just
coming
from
a
USO
show.
Perfectly
matched
wigs.
And
there
we
are.
So
young.
So
much
to
learn.

The Fixer-Uppers

I spent
a lot
of
time
with
my
oldest
sister
Gay
last
weekend,
whom
I adore.
How
fortunate
for
me.
We
talked
of
each
other's
life
tribulations.
I
said,
"You know
I always
have
to make
everything
better."
And
she
said,
"That's
what
we
are,
Kevin.
The
Fixer-
Uppers.
Me.
You.
Mom.
All of us."
And
there
it
was.
And
there
was
Christi's
voice.
An
actor's
voice.
One
who
had
played
the
role
before.
And
was
playing
it
again.
And
she
was
in
trouble.
And
the
world
spins
round'.

Garrison Keillor: A shame to leave this world early

By Garrison Keillor


I was in Santa Monica for a day last week, sampling baked figs at the farmers’ market on the Third Street promenade, a sweet sunny day that makes an old Midwesterner like me a little nervous. We fear seduction. Some days in California are so tender and delicious that a person could abandon all commitments and wind up living in blissful stupor in some cult devoted to the worship of the sky.



I have work to do. I haul it around in a black case the size of an anvil and when an hour or two opens up, in an airport or hotel, I dig in. I don’t lie on beaches, looking up at the sky. It’s blue in Santa Monica. You don’t have to look at it for long to figure that out.

My hotel was on the beach, so I headed back that way, crossing the Pacific Coast Highway on a pedestrian bridge. And there, 50 yards south of me, police cars and flashing blue lights. The northbound lanes of the PCH had been closed. A car sat in the middle lane, its rear end smashed in brutally. And south of it, a yellow tarp spread on the pavement. A body lay beneath it.


Then eight cops and EMTs lined up on either side of it, like pallbearers, and then they spread out a long white sheet which they held as a screen while the yellow tarp was pulled away and a police photographer took pictures with an enormous camera. A man in a dark suit bent over the body, studying it closely. The eight men stood quietly, hardly moving, and they looked straight at each other. They did not look at the body. It was a still-life scene, except for the flashing lights and the southbound traffic passing: eight men standing at attention, guarding a body, and two men moving with great delicacy around it, gathering evidence.

A blue sky over Santa Monica and on the beach, people lay on towels, sunning themselves. A few swimmers in the surf. Roller bladers out on the sidewalk and joggers, grunting about the presidential campaign. A day in which you’ve witnessed death takes on an aura of fragile loveliness. You breathe the salt air and you savor this on behalf of the dead and note the pencil-line delicacy of the long cane poles of the Japanese fishermen on the pier, the two triangles of white sail taut with wind on the distant boat, the skinny boy in blue trunks swinging high on the flying rings on the beach and soaring to the next set of rings. You see the portly man wade into the water and shudder as the water touches his testes and you feel it, the shudder of mortality. And visions of the fallen one stay with you.

A few hours later, online, news that the victim was a woman, 44, whose car had been rear-ended, that she had gotten out of her car and stood waiting for help to arrive and was struck and killed by a third vehicle. Her name was Alma and she was from Los Angeles.

The day goes on and though you don’t keep in mind the sight of the pallbearers around the body, the death attends you wherever you go. You imagine the woman’s plan for her day, maybe lunch in Malibu and a meeting at her kids’ school and supper and a movie afterward, a simple day in sunny L.A., and you abandon your own plan to work and instead you walk around looking at the shining world on behalf of Alma who died on the highway.

You buy a mango/papaya smoothie and a cafe mocha and in the face of death they are spectacular. You sit at a table in the brilliant sunshine, the light splashing off the stone facades and aluminum moldings. She was standing by her car waiting for help to arrive when she was struck by another vehicle and killed, and 30 minutes later men were standing at attention around her. It would be intolerable not to know the name of the woman. Attention must be paid. She trails alongside you as you walk into a bookstore full of art books and you pick up one with pictures of California beach houses, all whites and yellows and pale blues, sun-drenched rooms, bowls of flowers, cotton curtains, and the sea beyond. A beautiful world, Alma, and every day is a gift. I’m sorry you had to leave early.

On an Indian Summer's Evening

The
sun
was just
setting
as
I
drove
into
Iowa.
A
big
ball
of
crimson
orange.
Drying
fields
of
soybeans
glowed
yellow
against it.
And
with
the
land
stretching
towards
the
sky;
one
could
see
a
patchwork
of
greens
and
browns.
It's
the
picture
that
is
always
in
my
mind.
Home.
An
undercurrent
of
growth
always
surging.
Dust
blew
across
the
rode.
It
gave
the
scene
the
sense
that
someone
had
spread
Vaseline
on the
lens.
The
whole
of
it
saying
yes,
and
yes,
and
yes,
and
yes.